An Analysis of 'a Rose for Emily'
I. Implied author of the story
A Rose for Emily", a story of horror first published in 1930, is considered by many scholars one of the most authentic and the best narratives ever written by William Faulkner. It is a story of a woman, Emily Grierson, and her relationships with her father, the man she was in love with and the community of Jefferson, the town she lived in.
While discussing any narrative text it is crucial to mention the implied author of a text. As Wayne C. Booth, the most famous follower of the Chicago School believed, it is possible and acceptable to "interpret and criticize the narrative worlds of literary works without stepping beyond the limits of the text and falling victim to a fallacy'" , without confusing the narrator with the implied author. Even though the plot or characters may be clearly described in literary works, only by interpretation can their "intended nature" be determined and the concept of an implied author is the one to bring together both: description and interpretation. There are many variations of the concept of an implied author, however most of them usually come down to two suggestions: first, that the implied author is a nexus of values and norms in the textual world and second, that he selects and orders the elements of narrative texts . Thus, it may be said that through the mentioned selection (of, for example, the narrator, the title, the symbols or the language of events) and ordering the implied author passes on the information which the implied reader needs for the interpretation of the text. In this way, every literary text, as in this case "A Rose for Emily", becomes a form of communication between the writer and the reader. The aforementioned information may be passed in various ways, two of them being the structure of the narrative text and its title.
The title of "A Rose for Emily" is ambiguous. As there are no roses in the story, it may be safely assumed that the title is purely symbolic, however the
A Rose for Emily", a story of horror first published in 1930, is considered by many scholars one of the most authentic and the best narratives ever written by William Faulkner. It is a story of a woman, Emily Grierson, and her relationships with her father, the man she was in love with and the community of Jefferson, the town she lived in.
While discussing any narrative text it is crucial to mention the implied author of a text. As Wayne C. Booth, the most famous follower of the Chicago School believed, it is possible and acceptable to "interpret and criticize the narrative worlds of literary works without stepping beyond the limits of the text and falling victim to a fallacy'" , without confusing the narrator with the implied author. Even though the plot or characters may be clearly described in literary works, only by interpretation can their "intended nature" be determined and the concept of an implied author is the one to bring together both: description and interpretation. There are many variations of the concept of an implied author, however most of them usually come down to two suggestions: first, that the implied author is a nexus of values and norms in the textual world and second, that he selects and orders the elements of narrative texts . Thus, it may be said that through the mentioned selection (of, for example, the narrator, the title, the symbols or the language of events) and ordering the implied author passes on the information which the implied reader needs for the interpretation of the text. In this way, every literary text, as in this case "A Rose for Emily", becomes a form of communication between the writer and the reader. The aforementioned information may be passed in various ways, two of them being the structure of the narrative text and its title.
The title of "A Rose for Emily" is ambiguous. As there are no roses in the story, it may be safely assumed that the title is purely symbolic, however the