heavily on reading and writing‚ prompting artists to focus heavily on concepts and labels to describe aesthetic experience. Dissanayke argues that you cannot describe or purposely elicit another’s aesthetic understanding to be the same as yours. Each viewer experiences a different aesthetic experience based of their perception and past. There may be commonalities‚ but ultimately‚ each’s aesthetic is
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In Death in Venice‚ the theme of decadence caused by aestheticism appears through Gustav von Achenbach’s eccentric‚ specifically homoerotic‚ feelings towards a Polish boy named Tadzio. Although his feelings spring from a sound source‚ the boy’s aesthetic beauty‚ Aschenbach becomes decadent in how excessively zealous his feelings are‚ and his obsession ultimately leads to his literal and existential destruction. Thus exemplifying‚ as will be examined in the following‚ how aestheticism is closely
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In light of the historical priority of the aesthetic over the theoretical‚ such inattention is understandable. This essay‚ however‚ will demonstrate how the writings of three of the classical age’s most influential commentators on literary theory--Aristotle‚ Horace‚ and Longinus--manifest a debate on the proper place of the sacred in the aesthetic scene of representation. The debate begins with Aristotle’s establishment‚ via critical fiat‚ of the aesthetic scene’s formal and ethical self-sufficiency
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words. The term “form follows function” states that a designer always has to recognize that the importance of the use of an object will always come before its aesthetic purpose. Supporters of modernism and functionalism understood this in two ways: the object must and only be created to serve its purpose without any additional aesthetics added‚
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Kierkegaards believed that each individual goes through three stages in their life. The first stage he called The Aesthetic Stage‚ according to Kierkegaard we are all born into this stage‚ although this stage can occur at anytime in a person’s life. A person‚ in the aesthetic stage is extremely carefree‚ basically only thinking of themselves and how they can get the most pleasure out of their life‚ they have little regard for others‚ rules‚ structure‚ and how their actions may affect anyone else
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relation between a work of art and its subject‚ captured in the word "about‚" is sometimes calledrepresentation--a term that owes its currency in aesthetics to Croce and Collingwood‚ who used it to draw the familiar contrast between representation and expression. The concept of expression is variously analyzed. Its principal function in modern aesthetics‚ however‚ is to describe those aspects and dimensions of artistic meaning that seem not to fall within the bounds of representation‚ either because
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2 The Value of Art: A Philosophical Perspective Antoon Van den Braemhussche 3 The Value of Culture: A Dialogue J ’ 44 Barend van Heusden‚ Arjo Klamer 4 "The Good‚ the Bad and the Different": Reflections on Economic and Aesthetic Value ‚6 David Ruaio‚ Julie Graham‚ Jack Amariglio PART Two: ON THE VALUE OF ART s The Value of Public Art as Public Culture JosephJ. Ccrdes; Robert S. Goldfarb 77 6 Market Value and Artists ’ Earnings 96 Ruth
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text‚ Hard Choice by Sunnie Ododo is a play that reveals female aesthetics as well as showing the fact that the female is more naturally adventurous and different examples are shown to back up this view. The term “Feminism” has different definitions which include: - According to the Oxford Advanced English Dictionary ‚’’ Feminism is the belief and aim that women should have the same right and opportunities as men.’’ - It is the in equality that exists between the gender - Feminism
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lost much of its meaning. Phrases like “beauty is in the eye of the beholder” have surprisingly become commonplace‚ and even Christians have begun to subscribe to the notion of aesthetic relativism. Specifically‚ this is the idea that beauty is purely contained within the observer and objects on their own have no aesthetic value in and of themselves. It is what has effectively stripped the main essence from the old ideal of beauty‚ and in my opinion a primary reason why there are so many who cannot
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Gao Junhong Abstract In our experiments‚ the research sheds light on consumers’ purchase intention and overall impression towards six types of combination of chocolate package and price: 1. aesthetic package with a relatively high price‚ 2. aesthetic package with an intermediate price‚ 3. aesthetic package with a relatively low price‚ 4.plain package with a relatively high price‚ 5.plain package with an intermediate price‚ 6.plain package with a relatively low price. After the six between-subject
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